What is more interesting than charting a mere literary phenomenon, however, is asking ourselves why this particular legend or superstition has acquired such prominence among us today, preying in its own way upon the modern sensibility. As with the Titanic mystique, it may develop as a trope or representation of a profound cultural malaise, a sense that under the surface of daily life destructive forces prowl. As a character in Robert Walser’s surrealistic 1909 novel Jakob Von Gunten says, adjusting for the historical calendar, “Concerts and theatres are going down and down, the standpoint sinks lower and lower. There is, to be sure, still something like society to set the tone but it no longer has the capacity for striking the notes of dignity and subtlety of mind.” Nor, for that matter, the note of assurance.
The premonition that something is awfully wrong haunts the imagination, although much of the time we cannot isolate precisely what it is that lurks in the shadows of our doubts and misgivings. Terrorism and a revived Islam, for example, clearly stalk the collective psyche. According to ancient lore, the vampire must first be invited into the premises he subsequently terrorizes, and this is certainly the case with the Islamic demographic. At the same time, all too many of us refuse to consciously acknowledge the threat and strive instead to prettify the image of Islam as a “religion of peace” — just as the modern vampire tends to be nipped and tucked into a cosmetic semblance of nobility and innocence.
As Toby Lichtig writes in the TLS, reviewing a shelf of new publications on the subject, the vampire persists as a vehicle of universal fears, “of life being sapped by death, of health by disease, of the deserving by the selfish,” which explains why it remains “such a powerful metaphor, whether in terms of economics…racial chauvinism, politics, science or domestic relationships.” And indeed, the vampire is no longer the esoteric personage he once was, plying his mischief in the remote fastnesses of Transylvania or the fog of 19th century London, but is now just as likely to make his home “in the Sunnydale of Buffy.” The vampire is ubiquitous...
Maybe so, but he does nothing for me. Nor do the almost equally ubiquitous zombies. As I've said before: I have no interest in the undead, the non-dead, the been dead and the done dead. I say once you're dead, stay that way, and don't come back.
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